Pippin: finally i’m getting the respect i deserve from these peasants
so accurate i am choking on my carrot. this is making me giggle harder than it should. I love Pippin so much.
I don’t think there will come time when I’m not reblogging this. Sorry guys.
no no no you guys don’t understand, Pippin is someone really important in the Shire! The books don’t talk about it a lot, and the movies won’t touch that stuff with a bargepole, but Pippin will be inheriting land rights to about a quarter of the Shire. He’s second in line to becoming military leader of all Hobbits. His dad is currently in charge of that stuff, but he’s completely aware of it, and educated for it, and that’s why he’s such an over privileged little shit in the books.
I thought it was a shame the movies didn’t talk about class differences in the Shire. Also puts M&P stealing food in an uglier light.
To be fair, at the time of the Party, Pippin would have been 12, which puts it back into a more acceptable light. And they’re stealing food from Bilbo, a wealthy and eccentric family member, which again makes things a bit different.
But yes, when they call Pippin Ernil i Perrianath – Prince of the Halflings – they are actually completely spot on.
And when Pippin tells Bergil “my father farms the land around Tuckborough” he’s deliberately downplaying his class so that he can greet the boy as an equal rather than a superior. It’s Pippin’s most adult moment in the series. Bergil is engaging in a status contest which Pippin can totally win – but instead chooses not to compete. Pippin is a gilded and spoiled lordling in the Shire, but he becomes a Man of Gondor.
Yeah, to add a bit of unnecessary trivia/level of preciseness, Frodo is the oldest of the four; he was born in 2968, was (obviously) 33 at the time of the Party, and so he’s 51 here. Sam’s second-oldest; born in 2980, he was 21 when Bilbo left and is 39 at this point. Merry’s two years younger than Sam, making him 18 or 19 in 3001, when the Party took place, and Pippin was born in 2990, so he was actually 10 or 11 during the Party, and during this scene they’re ~37 and ~29, respectively.
So yeah, Pippin’s the youngest by a lot. Plus, taking hobbit aging into account, he really is still in the equivalent of his teens; remember the Party was half to celebrate Frodo’s coming-of-age at 33, and Pippin’s around twenty years younger than Frodo.
This fucked me up. I didn’t read the books and in the movie it was shown like Frodo took off with the ring like 2 days after Bilbo’s gone away, but it was 17 years after that. OMFG.
Also worth noting that “Merry and Pippin stealing food” isn’t in the book – raiding Farmer Maggot’s fields, specifically the mushrooms, is something Frodo used to do when he was a kid, before his parents died and he moved to Hobbiton to live with Bilbo. Frodo’s still afraid of Maggot’s guard dogs, but the farmer himself is sympathetic and helpful when he finds Frodo & Co. cutting through his field.
And this is specifically invoked in the books at the Council of Elrond, where Elrond argues against Pippin in particular going, because he is so young. He’s okay with Merry going but wants to keep Pippin in Rivendell. Elrond has serious misgivings against sending an early-teenager off to face the Shadow, and given what happens to Pippin in The Two Towers, he was not wrong.
Merry is also a prince of sorts – his father is Master of Buckland, which is the semi-autonomous boundary community between the Brandywine river and the Old Forest (never, alas, discussed in the movies). Merry and Pippin are friends in the books in part because they’re of relatively equal status and in part because they’re cousins (like all nobs, Shire nobs mostly marry each other).
However, the books also clearly make Merry the Responsible One, even though he’s only been a full adult for four years. (Think early 20s in human terms.) Merry buys and prepares the house at Crickhollow. Merry figures out the secret of the ring before Bilbo even gives it to Frodo, but Merry keeps Bilbo’s secret. Merry convinces Sam to spy on Frodo. Merry explains that they’re all joining Frodo on the Quest, whether Frodo wants them to or not. Merry cautions about the Old Forest and doesn’t go down to drink in the taproom at the Prancing Pony.
So in the books, Merry isn’t Pippin’s partner in pranks – instead, Merry and Pippin spend all their time together on the Quest because Merry’s looking after his younger cousin. Can you imagine what his mother would say if he came home without Pippin? Merry can, and that’s why he takes some pretty absurd personal risks during the books to make sure that doesn’t happen. Like, he literally rides into battle on the back of someone else’s horse, in disguise, because Pippin is probably somewhere in that battle.
Merry is 99%* common sense unless Pippin is involved, and then he is 100% save/rescue/protect/support Pippin. The character growth and maturation we see in Merry in the movies isn’t in the books; instead he has almost the exact opposite arc of becoming an extreme risk-taker, driven by his protective instincts.
(*The other 1% stabbed a ringwraith in the calf that one time, but we can argue that this was due to a natural expansion of Merry’s protective instincts toward Eowyn, with whom he’d bonded quite a lot recently, and toward Theoden, who he deeply respected as being kind of like his dad.)
bonus kleenex moment:
when pippin finds merry stumbling half-blind and sick through the streets of Minas Tirith after killing the Ringwraith, he tells Merry “Poor old fellow! I’ll look after you,” half-carries him to the healing halls, and is worried sick about him until he can finally get Aragorn in to give him medicine.
It’s the first time in the story that Pippin has looked after Merry, instead of the other way around.
It shows that Pippin has grown up, that he can protect the people who always protected him.
This is also why it’s awesome when they finally come back to the Shire, and Saruman’s made a right mess of things, and it’s Merry and Pippin that kick ass and take names. They’re the closest things the Shire has to princes and military leaders, and they’ve just had adventures that make this look like a minor action. Frodo’s tired, and Sam’s just worried about Frodo, and Merry and Pippin are like hold my pint, I got this.
one of my favorite lotr facts is that gondorians speak sindarin as a first language and yet when faramir was talking to frodo and sam about cirith ungol he was like “we don’t know what’s in there.” like faramir. cirith ungol is sindarin for “pass of the spider.” do the math
some of my favorite tags on this post
Don’t forget that Frodo also speaks Sindarin, which makes this even worse.
Faramir: Hey, don’t go up the Spider Stairs.
Frodo: Why? What’s up the Spider Stairs?
Faramir: We don’t know, Frodo. We just don’t know.
Pointless LOTR headcanon of the day: Frodo & Merry both take after their mothers, meaning Frodo looks more like a Brandybuck than a Baggins and Merry looks more like a Took. This is a constant source of petty contention.
(Pippin meanwhile absolutely takes after his father & is the most Tookish looking)
Merry: call me a Took one more time
Gandalf: if it looks like a Took and acts like a Took it’s a Took
Merry: I will END you
Gandalf is the only nonhobbit in the fellowship who understands the minutiae of Took Vs Brandybuck Vs Baggins rivalry & he delights in it, everyone else baffled
Frodo: look it’s perfectly simple. The Brandybucks don’t like the Tooks because they play golf and think they’re better than everyone because they occasionally go on adventures. The Tooks don’t like the Brandybucks because they live on the wrong side of the river and like boats. And nobody likes the Bagginses because they’re annoying.
Aragorn: are you… Including yourself in that
Frodo: I said what I said.
Frodo: now the Bagginses don’t like the Brandybucks OR the Tooks because they’re highly disrepectable but also richer than they are. And as far as a lot of the Bagginses are concerned I’m a Brandybuck because I grew up in Buckland and I have the Brandybuck Profile
Merry: which just means he’s not pug-ugly
Frodo: quite.
Aragorn: this is all ridiculous. Keep going.
Gandalf: Hm now I wouldn’t say UGLY but… every Baggins I’ve ever met has been perfectly Round or perfectly Square… There is no middle ground.
Gimli, baffled: Frodo isn’t round OR square
Merry: that’s because he has the Brandybuck profile
Gimli: so… Is he a Brandybuck…
Merry: ABSOLUTE not
Frodo: slander!! I’m a Baggins how dare you
Pippin: was your father a Round Baggins or a Square Baggins
Frodo: my father… Was the ROUNDEST Baggins who ever lived… A perfect Sphere of hobbit…
Gimli: What about your uncle. Is he round or square.
Frodo: Please tell me you’re kidding my uncle is the most Tookish Baggins to ever live and that includes physically
Bilbo ‘looked… exactly like a second edition of his solid and comfortable father’. He’s a round Baggins imo
jrr tolkien: i really love my wife. i will make her into a beautiful, unearthly half-angel princess who beat satan almost single-handedly and won an argument with the keeper of the halls of the dead
jrr tolkien: i really love my best friend. i will make him into a grumpy old tree who never gets to the point
My BIGGEST pet peeve when it comes to Tolkien is how people will sometimes characterize Melkor’s rebellion as being about him wanting to do his own thing and rebelling against Illuvatar’s oppressive sheet music.
THERE WAS NO SHEET MUSIC! Illuvatar wasn’t forcing anything. The Ainulindale was improv. Illuvatar just gave them the theme, the idea, the feeling, the starting point. The Ainur were drawing inspiration from the thought of Illuvatar, sure, and so long as they were in harmony the music played precisely as Illuvatar intended because Illuvatar had created them and knew how they worked together. But the music of the Ainur before Melkor’s dissonance was quintessentially creative, as well as corroborative. It was spontaneous, perfect harmony of free individuals perfectly in tune with each other, whose improvisations were constantly building upon each other.
Melkor’s rebellion was not about asserting his freedom of expression, because his expression was already free. Instead it was explicitly about making his own voice louder and more important than anyone else’s, and subjugating the creativity of others to instead convince or force them to follow him exactly in repetitive unison. And so, when Melkor’s goal became drown everyone else out, instead of make beautiful music together, his music became less creative, less innovative, and less his.
So it kind of annoys me when people talk about Melkor like he’s all for freedom of expression when he’s pretty much the opposite of that.
How.many of y’all been in jazz bands and gotten lead sheets for a song? Just the chord structure, some rhythms jotted out and maybe a few bars of a unifying theme? I played in student jazz bands for 6 years and let me tell you, the truly good musicians listen and feel out the structure of the song and when it comes to their solo, they’re ready and their expression shines. But then you get that one jackass who pulls something weird out of his ass during a performance and doesn’t follow the chord structure and you have to either let it sound bad or drown him out. It’s not freedom or creativity. It’s just being an asshole because you won’t play well with others.
I was concerned that there was no price listed per sq ft on the source site, so I looked it up and they are CHEAP AND AFFORDABLE NO MATTER WHERE YOU ARE. The bigger homes cost around $34.74/sq.ft (one of the smallest runs ~$15k, but a 4-bed 4-bath home is ~$66.6k, which is damn affordable when comparable homes in my area are closer to five times that price). Color me in love. [x]
One overlooked thing that really sets the Lord of the Rings films apart from other franchises is how earnest they are-
Most movies are so afraid of being “cheesy” that whenever they say something like “friendship is the most powerful force in the world” they quickly undercut it with a joke to show We Don’t Really Believe That! 😉 Even Disney films nowadays have the characters mock their own movie’s tropes (”if you start singing, I’m gonna throw up!”) It’s like winking at the camera: “See, audience? We know this is ridiculous! We’re in on the joke!”
But Lord of the Rings is just 12.5 hours of friendship and love being the most powerful forces in the world, played straight. Characters have conversations about how much their home and family and friends mean to them, how hope is eternal, how there is so much in the world that’s worth living for…. and the film doesn’t apologize for that. There’s no winking at the audience about How Cheesy and Silly All This Is; it’s just. Completely in earnest.
And when Lord of the Rings does “lean on the fourth wall” to talk about storytelling within the film, it’s never to make jokes about How Ridiculous These Storytelling Tropes are (the way most films do)…. but instead to talk about how valuable these stories can be. Like Sam’s Speech at the end of the Two Towers: the greatest stories are ones that give you something to believe in, give you hope, that help you see there are things in a bleak violent world that are worth living for
Earnestness is so much cooler than all the hip cynicism in the world. You go LOTR
the man who spents hundreds of pages describing trees and meals and worked out the linguistics of multiple fictional languages and the entire cosmology of his fictionsl world called the Beatles’ rehearsal sounds “indescribable”