Roy Mustang snaps his fingers accidentally (while wearing his gloves)
What people think will happen: fire, death, destruction
What will actually happen: a small spark
Why people are wrong: they think Roy’s Flame Alchemy actually creates flame, whereas what he’s alchemizing is the oxygen concentration of the air. Alchemy takes concentration and intelligence so he can’t accidentally move air particles around to make the air so oxygenated as to be flammable. The finger-snap just ignites the oxygen. If the air is normal, it’s not going to ignite.
Extra fun fact: you can probably tell if Roy Mustang is about to set you on fire. The air will feel intoxicatingly easy to breathe because it’s pure oxygen. During the war, Ishvalans probably learned to GTFO if they felt heady and energized.
Extra extra fun fact: Roy Mustang doesn’t need to set you on fire to kill you. He can probably just remove all the oxygen from the air around you, and you’ll suffocate.
The point of this post: flame alchemy is both really cool and really simple.
The kicker: to use flame alchemy effectively, you probably have to visualize the shape of the oxygen cloud that’s going to form. This probably requires a lot of focus.
One of the things I like a lot more about Trisha in Fullmetal Alchemist as opposed to Brotherhood, are some subtle hints about some of her personality flaws. Like, you get the feeling she may have been pushing some unhealthy things on to Edward and Alphonse.
It’s very, very, subtle, as for the most part she’s just a perfect wonderful mother, but let’s take a look at what we know and what is said explicitly in the series about her.
We know that Trisha loved Hoenheim very deeply, but unlike in Brotherhood, it is never explicitly stated how much she knew about his true identity. From the looks of it, not very much. Hoenheim leaves her as a way of hiding his decomposing body, suggesting she hadn’t known about it before. Hoenheim also never made any promise to return to her someday, so from that we can assume when he left her it was probably a traumatic parting she didn’t completely understand.
Rather than resenting him for it though, or hating him even, it looks as though she just continued to love and long for him to return to her to the point it might have made her physically ill. Perhaps even, dying of a broken heart? (ugh.)
But yeah, I do find that to be the implication when you take into account her dynamic with Edward and Alphonse. Everyone else in the Eastern Region Ed and Al encounter despises Alchemy and Alchemists. Even kind old Pinako is wary of it, especially considering the death of her son and his wife. Hell when Ed and Al try to transmute her a doll, Winry breaks down into tears in fright. But Trisha is immediately delighted.
She lets them use all of the books in Hoenheim’s study and for the most part encouraged them to use Alchemy as much as possible. This is a stark contradiction to Izumi, Ed and Al’s other mother figure, who refuses to even fix a little boy’s toy train with alchemy because it would be unnecessary.
Not to mention the realization later on that Alchemy is essentially an evil practice that uses the energy of those who have died in the other world, so Trisha’s encouragement of it cannot be a good thing.
Then there’s the competitive nature of Ed and Al’s relationship that Al brings up several times in the narration of episode 3, Mother. “We competed with each other for her attention getting deeper into the science that made you feel like magic.” The reason the two become so engrossed in Alchemy is specifically because she encouraged it and obviously would give them special attention when they did a transmutation for her. As for the competitiveness, I do think it is implied very much in certain scenes that Edward and Trisha’s relationship is very different than Alphonse and Trisha’s relationship. I’m not saying Trisha played favorites or that she neglected Alphonse, but considering Edward’s more apparent obsession with both her and alchemy, as well as the fact that as the older child he was probably privy to more responsibility as well as the benefit of being the first born, not to mention his clear resemblance to Hoenheim both in appearance and personality, is it too farfetched to assume she may have been a bit more affectionate with him, letting him get away with more than Alphonse did. It would explain why Alphonse out of the two often times seems the more understanding and responsible one. Maybe even why he holds Edward in such high esteem, because it was obvious Trisha did too.
And then of course there’s the clincher, Trisha’s last words. In the manga and in brotherhood, they’re left unknown, but in the original anime, there’s a pretty dark twist to them. At first she’s laying out all the things her kids need to know, telling them where their money is, asking them to take care of each other and stay by each other’s side. But then she makes a very sad request of Edward, by asking him to transmute her a wreath of flowers the way her husband always used to, presumably to put on her casket. Now of course its implied she’s not entirely in her right mind when she requests this, and this is more of a subconscious want, but it says a lot about her and how she’s raised her children.
Alphonse says it all, she loves their alchemy because it reminds her of Hoenheim, the man who broke her heart and left her. So really she was almost substituting the hole he’d left in her life with her children, encouraging him to grow to be like him. Then her last request, is really just longing for Hoenheim again, and it seems pretty inconsiderate to Edward and Alphonse, considering how much Edward despises Hoenheim, (even at that age) and of course by ignoring Alphonse entirely in the request and making it specific to Edward. It’s just one sentence but it says so much.
And again, that’s not to say Trisha was a bad mother, like I said she’s still the perfect mother archetype. She’s just like every other character in the series, acting on a selfish impulse, maybe even subconsciously, without much consideration for the rest of the world at large. After all, how different would everything have turned out if Trisha had just encouraged Ed and Al to garden, or had scolded them for scaring Winry that first time? Like of course the first things these kids would do in the wake of losing their mother was try and use alchemy to fix everything. That was all she’d ever encouraged them to do.
Either way, it just adds a small level of tragedy and depth to her character that I found was absent from Brotherhood, where she was perfectly understanding and perfectly perfect the whole time. It helps me feel a bit better about her being fridged because she had more impact on Ed and Al’s story outside of dying.
a seemingly inoffensive comparison post for your dash
OK but see this point in the series has never really made that much sense. Like, OK, Ed sees the resemblance in Envy’s real form, I get this, but until this point Ed has no idea about his dad’s relationship to the homunculus, and Hohenheim and Dante conceived what would become Envy 400 years ago. There’s like… zero reasons why Ed’s recognition makes any sense.
*cracks knuckles*
Edward totally knows at this point that Hoenheim and Dante were a thing. If you were paying attention, Izumi pulls out a smutty letter Hoenheim wrote Dante nearly a millennia ago and Edward reads it and then presumably went out in the garden and barfed, and Edward confronts Hoenheim about it in London at the beginning of this episode. He knows Hoenheim was going around fucking other women before Trisha, especially after meeting Dante (also in this episode.) Like it’s pretty goddamn obvious.
Not to mention Envy has made it clear on multiple occasions while Edward was in the room that he has a major grudge against “some bastard” who’s blood is in Edward’s veins and who’s sperm Edward might be. Like Edward is not Goku, okay, Edward can intuit shit.
But Edward also has a big thing for denial what with the whole Sloth thing which he totally should have figured out eons ago but just didn’t want to admit to himself that he was that big of a fuck up.
So at this point Edward knows
1. Hoenheim is a manslut who dated an evil psychopath named Dante. 2. Dante creates Homunculus. 3. Homunculus are made when someone attempts Human Transmutation. 4. Hoenheim DID attempt Human Transmutation because he’s got the *clap* 5. Envy is the deputy ringleader of the Homunculus. 6. Envy has a major grudge against him and Al specifically. 7. Envy has mentioned twice now said grudge is because of who they’re related to.
He’s just gotta put two and two together and then boom Envy transforms and it’s all made pretty goddamn clear. Not only because of how much he resembles Hoenheim but because of how much he resembles Edward himself. The fucked up thing here, and the reason Edward hesitates is not only the realization that this monster is his brother, (which IDK brothers are kinda an important thing in FMA) but also because he sees himself in Envy’s reflection. He himself just barely dodged becoming the creature in front of him. (It’s not a coincidence Edward is one of the people Envy transforms into when they aren’t in disguise.) There’s a moment of real sympathy from Edward, and that’s all the hesitation Envy needs to murder him right then and there.
The point of sympathy later gets driven home at the end when both of them meet at the gate and Edward tries to warn Envy about how dangerous it is. He even sheds a few tears when Envy leaves, crying because he’s losing both of his brothers. (This is later all undone in CoS but I blame that on the writers not getting the mini-series they obviously wanted.)
So this is all really well established, foreshadowed, and lead up to, and the reveal is a pretty big moment for Edward’s character where he really has to confront the humanity of the homunculi, and how much he shares with them. Sloth is the drawback, Envy is the knock out.
People who like to crap on the original Fullmetal Alchemist series, just remember which series garnered enough critical praise and subsequent cash to fund Brotherhood in the first place.
OKAY I AM WATCHING A VIDEO ABOUT FMA AND I AM SCREAMING
So you know how the main villains are all adapted of the 7 deadly sins right
And ironically it happens that all of them will follow the description of the punishments in Dante’s Inferno for each sins. (also friendly reminder Dante was the name of the villain in the first anime, I just can’t)
So, quoting the video (which is in French here) and spoiling to death :
Those who committed the sin of Pride are condemned to be constantly crushed under the weight of a rock. In FMA, Pride will end up crushed under rocks.
Those who committed the sin of Envy are condemned to have their eyes being sewed. In FMA, Envy will have his eyes being burned out multiple times.
Those who committed the sin of Wrath are condemned to have their limbs being pulled away. In FMA, Wrath lost both of his arms against Scar.
Those who committed the sin of Sloth are condemned to walk for ever without being able to stop. In FMA, Sloth spent all his life digging the tunnel.
Those who committed the sin of Greed are condemned to share the same body with people who would give everything away for others, the opposite of Greed. In FMA, Greed will then share his body with Ling, his total opposite.
Those who committed the sin of Gluttony are condemned to be bitten and eaten by Cerberus. In FMA, Gluttony will be eaten up by Pride.
Those who committed the sin of Lust are condemned to be exposed to burning winds and to go through a wall of flame to clean themselves away from their sin. In FMA, Lust is being burnt to death by Roy
As for Father, in Alchemy it was specified that if one managed to create a Homunculus, this one would never be able to leave a little bottle, which is the case of Father. Moreover, the first man to claim having created a Homunculus was named Philippus Theophrastus Aureolus Bombastus Von Hohenheim.
Moreover, the one who ordered to create Father was the king of Xerxes who wanted to access Immortality. But his plan will turn out against him and Father will provoke his death. In our reality, Xerces is dead killed by one of his captain which plan was to take over his empire to divide it between his Seven Sons. The parallelism between Father and the Homunculus is then obvious, but the story doesn’t stop there, as the story tells that the Seven Sons had been killed as well by the Son of the King, who had for Mother the Queen Amestris.
Can you hear me scream on the other side of your screen on how clever this manga is
Tbh, I don’t know why some people call fma 03′s ending dark and angsty?
Like, if that’s what the writers were going for, they woul’ve ended it full stop at episode 50. Now that ending, I can tell u from personal experience, would’ve been the epitome of dark and angsty.
But they didn’t. Instead, we got episode 51, and then the movie. Both of which offer up a message of hope.
Hope in the face of an imperfect world. Hope even in a world where the work you put into something might not reward you with something equal to your efforts. Hope in all its raw form, struggling and fighting on.
I don’t know about you guys, but that ending gave me so much hope at a time when I really, really needed it. So it makes me more than a little upset when I see posts condemning the ending, acting as if it holds no meaning simply because it’s considered sad.
You know what a think goes underappreciared? That fma has two complete alternate universes. People spend so much time arguing over which is better that they forget that the have more content then most complete anime or manga series, and that said content isn’t just copy paste from the manga. We get to have unique avenues explored that the manga didn’t touch on, like the Elrics being in our world or more time with characters like hughes and sheska, at the same time we get to see the manga acted out in truly beautiful animation. Some series don’t get that they get the anime exclusive ending and thats it.
Or worse, they get an anime exclusive ending and then a reboot that tries desperately to recon the anime exclusive ending and the fan base that doesn’t have access to the manga is left horribly confused. But no, FMA gets two separate anime series that they can choose from they can choose which they canon they want to abide by for a story. We didn’t have to worry about getting 700 episodes of pointless filler that creates seasonal rot and unessasary character derailment to get our manga ending. We don’t have to debate about what parts of the series are canon because they are two separate timelines, not one big mess with an emergency ending in the middle of the series. We even got movies to tie into both series! How many other franchises get that treatment? Just something to think about….