I introduced a friend to ATLA a few nights ago, and they had only
known two things about the entire show: the cabbage meme, and that Aang
apparently wants to ride every large and dangerous animal he can
possibly find. We got through the first five or so episodes, and my
friend noted that Aang is exactly what a 12-year-old would be like if
given godlike powers, and that this is literally just what he
could do with airbending. He can’t even wield any of the other elements,
and he’s one of the most powerful people on the planet, because he’s an
airbender.
And that got me thinking.
This snippet from Bitter Work is one of the few pieces of concrete information we get about the airbenders, at least in ATLA. Iroh is explaining to Zuko how all four of the elements connect to the world and to each other.
Fire is the element of power, of desire and will, of ambition and the ability to see it through. Power is crucial to the world; without it, there’s no drive, no momentum, no push. But fire can easily grow out of control and become dangerous; it can become unpredictable, unless it is nurtured and watched and structured.
Earth is the element of substance, persistence, and enduring. Earth is strong, consistent, and blunt. It can construct things with a sense of permanence; a house, a town, a walled city. But earth is also stubborn; it’s liable to get stuck, dig in, and stay put even when it’s best to move on.
Water is the element of change, of adaptation, of movement. Water is incredibly powerful both as a liquid and a solid; it will flow and redirect. But it also will change, even when you don’t want it to; ice will melt, liquid will evaporate. A life dedicated to change necessarily involves constant movement, never putting down roots, never letting yourself become too comfortable.
We see only a few flashbacks to Aang’s life in the temples, and we get a sense of who he was and what kind of upbringing he had.
This is a preteen with the power to fucking fly. He’s got no fear of falling, and a much reduced fear of death. There’s a reason why the sages avoid telling the new avatar their status until they turn sixteen; could you imagine a firebender, at twelve years old, learning that they were going to be the most powerful person in the whole world? Depending on that child, that could go so badly.
But the thing about Aang, and the thing about the Air Nomads, is that they were part of the world too. They contributed to the balance, and then they were all but wiped out by Sozin. What was lost, there? Was it freedom? Yes, but I think there’s something else too, and it’s just yet another piece of the utter brilliance of the worldbuilding of ATLA.
To recap: we have power to push us forward; we have stability to keep us strong; we have change to keep us moving.
And then we have this guy.
The air nomads brought fun to the world. They brought a very literal sense of lightheartedness.
Sozin saw this as a weakness. I think a lot of the world did, in ATLA. Why do the Air Nomads bother, right? They’re just up there in their temples, playing games, baking pies in order to throw them as a gag. As Iroh said above, they had pretty great senses of humour, and they didn’t take themselves too seriously.
But that’s a huge part of having a world of balance and peace.
It’s not just about power, or might, or the ability to adapt. You can have all of those, but you also need fun. You need the ability to be vulnerable, to have no ambitions beyond just having a good day. You need to be able to embrace silliness, to nurture play, to have that space where a very specific kind of emotional growth can occur. Fun makes a hard life a little easier. Fun makes your own mortality a little less frightening to grasp. Fun is the spaces in between, that can’t be measured by money or military might. Fun is what nurtures imagination, allows you to see a situation in a whole new light, to find new solutions to problems previously considered impossible.
Fun is what makes a stranger into a friend, rather than an enemy.
((Portal fans: Wheatley was good and then all of a sudden he went bad. He was possibly bad from the very beginning and was actively seeking power by controlling the player from the very beginning.
Me, an intellectual: Wheatley going bad is the result of him failing to address various personal issues and insecurities in his life and refusing to seek any guidance or help from those around him. He thought that others would see his problems as being too ‘tiny and insignificant’ to be worth talking about, so instead of seeking help, he just kept bottling up his emotions and letting it fester in the hopes that the feeling would just go away. You can see this in the final boss battle when he sobsabout Chell not catching him– a grievance that he has kept bottled up ever since the start of the game and that he has since only decided to bring up at the very end of the game during which he is having an emotional meltdown. Wheatley choosing to suppress his own emotions instead of addressing his underlying personal issues and feelings of unimportance are what lead him to engaging in unhealthy coping mechanisms, the robotic equivalent of substance abuse, aggressive behavior, and pushing away the only person he’s ever viewed as a friend. Wheatley is not the story of some power hungry moron who suddenly went bad. Wheatley is a cautionary tale about how you shouldn’t be afraid to seek help in confronting your issues and the dangers of turning to unhealthy coping mechanisms and possibly even substance abuse as a form of release.))
Choi Junhong debuted on December 1st 2011 at the age of 15. He debuted as a member of B.A.P on January 26th 2012. He gave up his childhood to become a trainee, his youth to become an idol and 7 years of his life for Babyz. Despite the termination of his contract with TS Entertainment he still continued with their World Tour for Babyz. B.A.P have always given their everything for us, even if it wasn’t in their best interest; and Zelo is testiment to that.
I personally am incredibly thankful for everything he has given us and for his departure from TS. We had the absolute privilege of watching that boy grow into a man that we can be extremely proud of. B.A.P took on the role of helping raise and influence Junhong and they truly did right by him. I’m so wholly excited to see him embark on this new chapter in his life, to see him develop his own style and person free from the terms of a contract.
B.A.P have always, and will always, be a family. They may not all be together moving forward but that in no way nullifies their bond. I have not a single doubt in my mind that Babyz will continue seeing all of our boys supporting and encouraging one another, just as they have always done. So let’s do the same and continue to support Bang Yongguk, Choi Junhong and B.A.P as three separate and individual artists. Let’s encourage them in everything they do, especially with the remaining members nearing the ends of their own contracts as well.
B.A.P is forever a 6. Babyz are forever for B.A.P.
His contract ended and instead of renewing, he left. Seeing how emotional he was, I think it’s safe to say he didn’t want to leave CROSS GENE, but rather Amuse, their company. As we all know, they’re quite… shitty. Please support him. It seems he kept his Instagram (cg_takuya). Tomorrow is Chuusday, too. So please leave some supporting messages on Shin’s blog (http://blog.fmyokohama.jp/ekradio/shin/). They’ll continue as 4.
A whole Steven bomb dropped out of nowhere and I could only seem to find clips of it online instead of full episodes. A new character who was introduced was a Garnet. Perfectly split in the middle, with massive hair, wearing all black. She is a sick joke made by White Diamond. Since she didn’t get to see the infamous Garnet fusion she made her own, this Ruby and Sapphire will be shattered if they ever unfuse. For Whites enjoyment only.
I like how she looked like she was dressed for her own funeral.